Build a Custom Ornament Shape in Wilcom Hatch (and Make It Reusable Forever): Standard Shapes, Align Centers, Weld, Save to Library

· EmbroideryHoop
Build a Custom Ornament Shape in Wilcom Hatch (and Make It Reusable Forever): Standard Shapes, Align Centers, Weld, Save to Library
Copyright Notice

Educational commentary only. This page is an educational study note and commentary on the original creator’s work. All rights remain with the original creator; no re-upload or redistribution.

Please watch the original video on the creator’s channel and subscribe to support more tutorials—your one click helps fund clearer step-by-step demos, better camera angles, and real-world tests. Tap the Subscribe button below to cheer them on.

If you are the creator and would like us to adjust, add sources, or remove any part of this summary, please reach out via the site’s contact form and we’ll respond promptly.

Table of Contents

If you have ever stared at the "Standard Shapes" tool in Wilcom Hatch and thought, "I see the potential, but I’m terrified of a messy stitchout," you are in the right place.

As someone who has spent two decades standing in front of humming machines, listening to the rhythm of the needle, I can tell you this: Digitizing is not just drawing; it is structural engineering. When you build an ornament from simple primitives, align them, and weld them, you aren't just making a pretty picture. You are creating a "stitch path" that needs to survive the violent, high-speed reality of a machine running at 800 stitches per minute.

The workflow we are about to cover is a "quiet power move." We will build a complex Christmas ornament silhouette from three basic shapes. But more importantly, I am going to teach you the "Why" behind every click—the physics of pull compensation, the logic of node placement, and the sensory cues that tell you, "Yes, this will stitch perfectly."

The Wilcom Hatch Standard Shapes “Aha”: Stop Redrawing Ornaments from Scratch Every December

Hatch provides a Standard Shapes library inside the Digitize Toolbox. For a novice, this looks like a clip-art folder. For a professional, this is a manufacturing tolerance system.

The concept is simple: you drag out a shape, reshape its nodes, stack pieces, and—crucially—weld that stack into a single object. Why does this matter? Because in embroidery, "single object" means "continuous sewing." It means fewer trims, fewer lock stitches (the little knots that can create bird nests), and a smoother edge for your machine to travel.

In this guide, we are building a classic Christmas ornament silhouette (a curvy base, a rectangular neck, and a pointed finial). Once saved to your library, this becomes a reusable asset—a "Lego brick" you can use for fifty different orders without redrawing a single line.

The “Hidden” Prep Before You Click Standard Shapes in Hatch: Set Yourself Up for Clean Borders Later

Before you touch the mouse, we need to calibrate your mindset. In my workshops, I teach the "Pre-Flight Check." Using software without understanding the physical output is like writing music without knowing how instruments sound.

Mental Check 1: The Stability Factor Software is perfect; fabric is not. An ornament shape often has satin borders. On a computer screen, a satin border looks perfect. On a stretchy knit or a slippery velvet, that border will pull the fabric inward, creating gaps (registration errors).

Mental Check 2: The Hooping Reality If you plan to stitch this ornament on delicate heirlooms or velvet stockings, standard plastic hoops are your enemy. They leave "hoop burn" (crushed pile) that is impossible to steam out.

  • The Professional Fix: This is often the moment where frustration peaks. If you are damaging fabric, no amount of software tweaking will help. This is why pros use a hooping station for embroidery paired with magnetic frames. It stabilizes the fabric without crushing it, ensuring the geometry you build in Hatch matches what comes off the machine.

Prep Checklist (Do not skip)

  • Clean Slate: Confirm you are in a New Document (Ctrl+N).
  • Intent Check: Are you making a "Fill" or an "Outline"? (For this guide: Fill).
  • Grid Check: Turn on your grid (Show Grid). Symmetry is non-negotiable here.
  • Hidden Consumable Check: Do you have temporary spray adhesive (like 505) and a fresh 75/11 Sharp needle? We will need these for the physical test later.
  • Name It: Decide on a code now (e.g., ORN_VINTAGE_01) so you don’t end up with Design1.EMB.

Pick the Base Ornament Shape in Wilcom Hatch Standard Shapes (Urban Borders) Without Overthinking It

Let’s start in the Digitize Toolbox.

  1. Click Standard Shapes.
  2. Select the Urban Borders category from the dropdown.
  3. Choose a curvy, frame-like shape (looks like a shield or crest).
  4. The Action: Click and drag diagonally on the canvas.

Sensory Anchor: Watch the numbers in the bottom bar. For a standard ornament, aim for a width of about 75mm to 90mm (3 to 3.5 inches). This is the "Sweet Spot" for most standard 4x4 or 5x7 hoops.

Checkpoint: You should see a single filled shape (often defaults to Tatami fill, shown as green in FIG-03).

Professional Insight: Don't stress about the exact aspect ratio yet. In embroidery, we sketch with "broad strokes" first, then refine with "micro-movements."

Stack Two More Standard Shapes (Borders Library) to Build the Neck and Finial—Fast, Loose, Then Precise

Now we add the hardware—the neck and the ring/finial at the top.

  1. Return to Standard Shapes.
  2. Switch to the Borders category.
  3. The Neck: Pick a simple Rectangle. Drag it near the top of your base shape.
  4. The Finial: Pick a Pointed or triangular shape. Drag it above the rectangle.

The "Loose" Technique: The instructor notes you can drag in any direction. Do not try to align them perfectly yet. Just get them on the screen. It should look like a sloppy stack of blocks.

Checkpoint: You use should have three distinct objects in your "Sequence" tab on the right. (Base, Neck, Top).

Why we do this: If you try to draw the whole outline manually with the digitizing tool, you will likely introduce "wobble." Using primitives guarantees mathematically perfect curves, which equals smoother machine movement.

Use the Hatch Reshape Tool (H Key) Like a Pro: Control Nodes Without Warping the Whole Ornament

This is where we switch from "Builder" to "Sculptor."

  1. Select the neck or finial object.
  2. Press H on your keyboard (The hotkey for Reshape).

Visual Check: You will see Yellow Squares (sharp points) and Blue Circles (curve points).

The "Less is More" Rule: Novices tend to add nodes. Experts delete them.

  • Beginner Trap: Adding 20 nodes to make a curve looks jagged on fabric because the machine has to calculate 20 micro-movements.
  • Expert Fix: Use the minimum number of nodes possible to achieve the shape. Long, smooth arcs create that "fluid" satin stitch look we all desire.

Adjust the nodes so the rectangle (neck) sits deeply into the base, and the finial sits deeply into the neck. We want generous overlap—at least 3mm to 4mm.

The Symmetry Moment: Align Centers Vertically in Hatch So Your Ornament Doesn’t Look ‘Off’ When Stitched

The human eye is incredibly sensitive to asymmetry. If your ornament neck is 1mm to the left, it will look "cheap."

  1. Press Esc to exit Reshape mode.
  2. Ctrl + A to select all three objects.
  3. Go to the Layout toolbar (or right-click).
  4. Select Align Centers Vertically.

Checkpoint: Snap. (You should visually see the pieces jump to a perfect centerline).

Why this forces a better stitchout: When a machine stitches a symmetrical object, the "pull" forces are balanced. If your design is off-center, the fabric pulls unevenly, leading to puckering. This digital alignment is your first line of defense against physical distortion.

The Weld Tool in Wilcom Hatch: The One Click That Prevents Ugly Overlaps When You Add Borders

This is the most critical technical step in the entire article.

The Symptom: Have you ever stitched a design where the machine hammered the same spot for 10 seconds, creating a hard, bullet-proof lump? That is caused by overlapping fills. The Cure: Welding.

  1. With all three objects selected, go to the Digitize Toolbox.
  2. Click Weld.

Sensory Confirmation: Watch your "Sequence" docker on the right. The three separate icons (Pink, Green, Pink) should merge into ONE single icon.

Warning: The "Hidden" Overlap Danger
If you skip this, and later add a satin border, the machine will stitch the border of the neck inside the body of the ornament. This creates excessive density (too many needle penetrations in one spot).
* Result: Broken needles and thread shreds.
* Rule: Always Weld before Bordering.

Save Your Ornament as a Custom Shape Library in Hatch (Orns + Orn001) So It’s Reusable in Any File

Now we immortalize your work.

  1. Right-click the object or find Create Library in the toolbox.
  2. Organization: Click New to create a category. Name it "Orns" (keep it short).
  3. Naming: Name the pattern "Orn001".

The "Future You" Perspective: Do not name it "ChristmasThing". Next July, you won't find it. Use Orn001, Orn_Round, Orn_Tear—systematic naming saves sanity.

The “It Didn’t Save!” Panic Fix: Why Hatch Demands Left/Right Points for Create Library

This captures 90% of beginners. You clicked "OK," but nothing happened. Why? Hatch is waiting for you to define the Reference Width.

The Required Action: After naming the file, look at your cursor.

  1. Click exactly on the far left edge of your design.
  2. Click exactly on the far right edge of your design.

Confirmation: You should hear a Windows chime or see a "Pattern Created" confirmation box.

The Expert's "Why": Hatch uses these two points to calculate how the shape scales when you drag it out later. If you click randomly, your shape might appear tiny or distorted when you try to reuse it. Accuracy here pays off forever.

Reuse the Saved Ornament in a New Document: Drag to Control Tall/Flat Proportions

Let's verify the asset.

  1. Ctrl + N (New Document).
  2. Standard Shapes > Category: Orns.
  3. Select Orn001.
  4. Drag mechanism:
    • Drag Up/Down to make it tall/thin (vintage glass style).
    • Drag Sideways to make it stout (onion style).

Checkpoint: Does it look smooth? Are the transitions between neck and body clean? If yes, you are ready for production.

Make It Do Double Duty: Use the Ornament as a Monogram Frame (Monogramming Tool Borders)

Here is the efficiency multiplier. Because you saved it into the library, Hatch’s Monogramming tool can now "see" it.

  1. Go to the Lettering / Monogramming toolbox.
  2. Select Monogramming.
  3. Look at the Borders/Frames tab.
  4. Your "Orns" category will appear, allowing you to drop initials directly inside your custom shape.

Commercial Context: If you are running a small business, offering "Custom Monogrammed Ornaments" usually involves 50+ items. In high-volume scenarios, manual hooping becomes a bottleneck.

  • The Pain: Hooping 50 velvet ornaments with standard hoops creates hand fatigue and alignment errors.
  • The Solution: This is where a machine embroidery hooping station becomes vital. It allows you to pre-measure the placement once and repeat it instantly for the next 49 items, ensuring your digital center matches the physical center every time.

The Master File Habit: Store Dozens of Ornament Shapes Without Duplicating Designs

Do not rely solely on the hidden software library. Best Practice: Keep a .EMB file named MASTER_LIBRARY_ORNS.EMB.

  • Paste every new shape you create into this file.
  • Add notes next to them (e.g., "Stitched well on felt," "Avoid resizing < 50%").

This "Digital Notebook" is invaluable when you revisit a project one year later.

The “Why” That Prevents Bad Stitchouts: Borders, Density, and the Geometry You’re Building in Hatch

You have built the shape. Now, let’s talk about getting it onto fabric without disaster. The geometry we built—smooth curves, welded joints—is only half the battle.

1. Density Management

A standard Tatami fill usually defaults to 0.40mm.

  • Expert Tip: For small ornaments, increase spacing to 0.45mm or 0.48mm. This reduces stitch count and prevents the ornament from becoming "bulletproof" stiff.

2. Speed Control

Your machine might go up to 1000 SPM (Stitches Per Minute).

  • Expert Tip: Slow down. For the satin borders of this ornament, run at 600-700 SPM. Speed causes vibration; vibration causes the hoop to travel slightly, leading to poor registration (gaps between fill and border).

3. Safety First

Safety Warning: The Needle Hazard
When testing new shapes, always watch the first stitch-out. If a "neck" area is too narrow (under 1.5mm), a standard needle can overheat or break. Ensure your welding created a path wide enough for the needle to penetrate safely.

Decision Tree: Choosing Stabilizer + Hooping Method for Ornament Stitchouts

Use this logic flow to determine your physical setup.

Q1: What is your fabric?

  • A: Felt / Stiff Wool (Non-stretch)
    • Stabilizer: Tear-away (2 layers) is usually sufficient.
    • Needle: 75/11 Sharp.
  • B: Velvet / Plush / Minky
    • Stabilizer: Cut-away (Medium weight) + Water Soluble Topping (Solvy) to stop stitches from sinking.
    • Hooping: Critical Caution. Do not use tight inner rings. Use a magnetic embroidery frame to float the material.
  • C: T-Shirt Knit / Sweater
    • Stabilizer: Fusible No-Show Mesh (Cut-away).
    • Action: Do not stretch the fabric when hooping. "Drum tight" is for wovens; knits should be "relaxed but flat."

Warning: Magnetic Field Safety
If you choose to upgrade to magnetic hoops for their speed and fabric protection, be aware they use powerful Neodymium magnets.
* Pinch Hazard: They can snap together with extreme force—keep fingers clear.
* Medical Device: Keep magnets at least 6 inches away from pacemakers.

Troubleshooting: Symptoms → Likely Cause → Fix

When things go wrong (and they will), use this diagnostic table.

Symptom Likely Cause The Quick Fix The Prevention
"Library creation failed" Forgot Reference Points Re-do "Create Library" and click Left/Right edges. Look for the cursor prompt.
"Gap between border and fill" Fabric Shift (Pull Comp) Increase Pull Compensation to 0.35mm - 0.40mm. Use better stabilizer (Cut-away).
"Lumpy stitching at the neck" Duplicate Objects You didn't Weld; layers are double-stitching. Check Sequence tab for single icon.
"Hoop marks on fabric" Friction / Pressure Standard hoop ring is too tight. Try "floating" with spray or use magnetic embroidery hoops.

The Upgrade Path: When Better Tools Actually Pay You Back

You have mastered the software skill. Now, look at your production reality.

  1. Level 1: The Hobbyist
    • Setup: Single needle machine, standard hoops, Hatch software.
    • Limit: You are happy doing 1-5 items. Any more, and the re-threading and masking tape process becomes a chore.
  2. Level 2: The Efficiency Seeker
    • Trigger: You have an order for 20 ornaments. You are dreading the "Hoop burn" on the velvet.
    • Upgrade: Invest in a hoop master embroidery hooping station or generic equivalent, and a set of magnetic frames. This eliminates the "screw tightening" step and saves your wrists.
  3. Level 3: The Production Shop
    • Trigger: You are turning down orders because you can't stitch fast enough. Thread changes on your single-needle machine are eating 30% of your time.
    • Upgrade: This is the threshold for a Multi-Needle Machine. Brands like SEWTECH offer high-efficiency multi-needle solutions that allow you to set up 12+ colors at once. Combined with your reusable Hatch library, this is how you turn a garage hobby into a profitable business.

Operation Checklist: Your "Cheat Sheet"

Print this section and tape it to your monitor.

  • Insert Base Shape (Urban Borders) + Neck (Rectangle) + Finial (Pointed).
  • Reshape (H) nodes for deep overlap and smooth curves.
  • Align Centers Vertically (Ctrl+A > Align).
  • Weld components into ONE fill object.
  • Create Library > Name it > Click Left/Right Reference Points.
  • Test Stitch with proper stabilizer (Check Decision Tree).

By following this architecture—building smartly in software and respecting the laws of physics on the machine—you move from "hoping it works" to knowing it will work. Happy stitching.

FAQ

  • Q: In Wilcom Hatch Standard Shapes, why does “Create Library” not save the custom ornament shape after clicking OK?
    A: Re-run “Create Library” and click the far-left and far-right reference points of the design to define the reference width.
    • Reopen Create Library, choose the category name (for example, Orns) and the pattern name (for example, Orn001).
    • Click exactly on the far left edge of the ornament shape, then click exactly on the far right edge.
    • Save and close the dialog after the confirmation.
    • Success check: A confirmation (chime or “Pattern Created” message) appears and the shape shows up in the custom library category.
    • If it still fails: Zoom in and repeat the left/right clicks more precisely on the true outermost edges.
  • Q: In Wilcom Hatch digitizing, how do you prevent lumpy, bullet-proof stitching at the ornament neck when stacking multiple Standard Shapes?
    A: Use Weld to merge the base, neck, and finial into one object before adding borders to eliminate overlapping fills.
    • Select all stacked pieces (base + rectangle neck + pointed finial).
    • Click Weld in the Digitize Toolbox.
    • Verify the objects merged.
    • Success check: The Sequence docker changes from multiple shape icons to one single icon.
    • If it still fails: Delete duplicate copies and weld again; overlapping duplicates often cause the machine to hammer one area.
  • Q: In Wilcom Hatch Reshape (H key), how can too many nodes cause jagged curves on embroidery satin borders, and what is the safer fix?
    A: Reduce nodes—smooth curves stitch cleaner when the machine is not forced into many micro-movements.
    • Press H to enter Reshape on the neck/finial shape.
    • Prefer editing with the minimum nodes needed instead of adding many points.
    • Create generous overlaps between parts (about 3–4 mm) so transitions stay stable after welding/bordering.
    • Success check: Curves look fluid on-screen and the stitch path does not look “wobbly” around tight bends.
    • If it still fails: Rebuild the part from a simpler Standard Shape and reshape again with fewer control points.
  • Q: In Wilcom Hatch Layout, how do you stop a Christmas ornament design from looking off-center after stitching when using three Standard Shapes?
    A: Align the three objects to the same vertical centerline before welding so pull forces stay balanced.
    • Exit reshape (press Esc).
    • Select all objects (Ctrl + A).
    • Use Align Centers Vertically in the Layout toolbar (or right-click alignment).
    • Success check: The pieces visibly “snap” into a single centered stack and the ornament looks symmetrical.
    • If it still fails: Check that all three objects were selected; a missed object will stay slightly offset.
  • Q: For velvet, plush, or minky ornament stitchouts, what stabilizer and hooping method prevents hoop marks and stitches sinking?
    A: Use medium cut-away + water-soluble topping, and avoid tight inner rings—floating with a magnetic embroidery frame is the safer approach for plush fabrics.
    • Add cut-away (medium weight) under the fabric and place water-soluble topping on top.
    • Avoid over-tightening a standard hoop that crushes pile; float the item instead of clamping it aggressively.
    • Use temporary spray adhesive as needed to keep layers from shifting during the test stitch.
    • Success check: The pile is not crushed (minimal “hoop burn”) and satin/fill stitches sit on top instead of disappearing into the nap.
    • If it still fails: Recheck fabric shift—improve stabilization first, then adjust pull compensation only after the fabric is controlled.
  • Q: What is the magnetic embroidery hoop safety risk with neodymium magnets, and what precautions should machine embroiderers follow?
    A: Treat magnetic embroidery frames as pinch hazards and keep them away from pacemakers due to strong neodymium magnets.
    • Keep fingers clear when bringing magnetic parts together; they can snap shut with force.
    • Keep magnets at least 6 inches away from pacemakers (medical-device caution).
    • Store magnetic frames so they cannot jump together unexpectedly.
    • Success check: Frames close without finger pinches and can be handled deliberately without sudden snapping.
    • If it still fails: Switch to a non-magnetic hooping method for the operator who cannot safely work near strong magnets.
  • Q: When running custom monogrammed ornaments in Wilcom Hatch production, how do you choose between technique tweaks, magnetic hoops, and a SEWTECH multi-needle embroidery machine?
    A: Use a step-up approach: optimize setup first, upgrade hooping for repeatability next, and move to multi-needle only when throughput is the true bottleneck.
    • Start with Level 1: Improve digitizing structure (align + weld), slow satin borders to 600–700 SPM, and manage density (often 0.45–0.48 mm spacing for small ornaments).
    • Move to Level 2 when hooping causes fabric damage or inconsistent placement: use a hooping station and magnetic frames to reduce hoop burn and speed repetitive setups.
    • Move to Level 3 when thread changes and low speed limit order volume: a multi-needle platform (such as SEWTECH) reduces changeover time by keeping multiple colors ready.
    • Success check: Order runs complete with consistent placement, fewer trims/lock-stitch issues, and less rework per batch.
    • If it still fails: Diagnose the dominant bottleneck (fabric distortion vs. hooping time vs. thread-change time) before spending—each fix targets a different constraint.
  • Q: What needle and consumable “pre-flight check” items should be ready before test-stitching a Wilcom Hatch ornament shape to avoid messy results?
    A: Prepare the specific consumables first—most “mystery” stitch problems come from skipping this setup step.
    • Install a fresh 75/11 Sharp needle for the test stitch.
    • Keep temporary spray adhesive (like 505) available for controlled floating when needed.
    • Start in a New Document (Ctrl+N) and name the design with a clear code (for example, ORN_VINTAGE_01) to avoid version confusion.
    • Success check: The first test stitch runs without thread shredding or unstable fabric movement, and the result matches the on-screen geometry.
    • If it still fails: Slow the machine for borders and re-check stabilization choice based on fabric type before editing the design again.