Table of Contents
Title: Master Script Lettering in Wilcom Hatch: The Zero-Fail Guide to Font Pack 1
Lettering is the single biggest "tell" in the embroidery world. It is the razor-thin line that separates a high-end boutique garment from a "home hobby" project. In Wilcom Hatch, the fastest route to professional-grade typography—without spending hours manually digitizing individual nodes—is leveraging pre-digitized fonts like those in Font Pack 1.
However, machines are unforgiving physics engines. If you force a font beyond its engineered limits, no amount of stabilizer will save you.
In this white paper, we delve into the mechanics of Memo Script, Handy Script, and Eliza. We will move beyond basic selection and resizing into the "Shop Floor Reality": understanding stitch density, conquering loop physics, and utilizing the right tools to prevent the dreaded "birdnest" before you ever press start.
Calm the Panic: Why Script Fonts Fail (It’s Physics, Not Magic)
If you have ever previewed a script font and thought, "Why does this look jagged or painfully thin?"—stop. Do not panic. Do not change your bobbin tension yet.
The most common failure point with script lettering isn't your machine; it's a misunderstanding of stitch architecture. Sue's tutorial highlights a critical production truth: Font Pack 1 fonts are pre-digitized. This means a master digitizer has already calculated the pull compensation and underlay for specific size ranges.
When you scale these fonts too small, two physical things happen:
- Column Collapse: The satin columns become narrower than the needle hole itself (approx. 0.8mm for a standard 75/11 needle), leading to fabric cuts.
- Density Spikes: The stitch count doesn't drop as fast as the size, creating a bulletproof knot that snaps needles.
Your job is not to design the stitch, but to respect its engineering.
The Setup: Creating a Clean Workspace for Precision
Sue begins where every professional should: the Left-Hand Toolbox. This is your cockpit.
- Navigate: Go to the left panel and click Lettering.
- Input: Click exactly where you want the text to anchor.
Professional Tip: Before you type, switch your view to TrueView (T) to see the simulated thickness, but then toggle back to stick view to see the underlying structure. TrueView lies about density; stick view tells the truth.
Experience Check: The "Blank Slate" Prep
Before you type a single letter, perform this mental check:
- Grid Check: Is your measurement system set to Metric (mm)? In embroidery, millimeters are the language of precision; inches are too coarse for density adjustments.
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Context Check: Are you stitching on a polo (knit) or a tote bag (woven)? This dictates your stabilizer choice later, which influences how bold a font you need.
Memo Script: Mastering Small Text (The 10mm Challenge)
Sue demonstrates typing "OML Embroidery" and selecting Memo Script.
The Use Case: Memo script is your workhorse for shirt cuffs, collar personalization, and secondary text below logos. It is designed to be legible at small scales.
The "Sweet Spot" Strategy:
- Type your text.
- Select Memo Script.
- Visual Check: Change the color to a high-contrast Red or Blue. Yellow is impossible to judge on a white background.
The Physics of Small Script
Memo Script works well down to 10mm (0.4"). However, at this size, standard 40wt thread often looks bulky.
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Pro Tip: If you are stitching Memo Script at its absolute minimum size, switch to 60wt thread and a 65/9 needle. This thinner thread allows the script loops to remain open and legible rather than closing up into a blob.
Handy Script: The "Zoom Test" for Loop Integrity
Next, the tutorial moves to Handy Script, typing the word “Loves”. Sue zooms in aggressively here. This step is non-negotiable.
Script fonts are defined by their loops (e's, l's, s's).
- The visual anchor: Look at the "white space" inside the loop of the letter 'e'.
- The rule: If the white space is smaller than 1mm on your screen, it will likely vanish in the stitch-out due to "spread."
The "Hoop Burn" Variable
When testing loops on delicate fabrics, repeated re-hooping to fix mistakes ruins the garment. Traditional plastic hoops force you to pull fabric taut, crushing the fibers.
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The Fix: Many professionals working with delicate scripts on performance wear search for how to use magnetic embroidery hoop products. A magnetic hoop holds the fabric with force rather than friction, preventing the "ring marks" that ruin hoodies and creating a flatter surface for those tiny loops to stitch cleanly.
Eliza Font: Respecting the Architecture of Capitals
The third demo features Eliza, used for the text "Wilcom Hatch".
Eliza is a "Decorative Script." Look closely at the Capital 'W' and 'H'. They are not just lines; they are complex satin objects with turning angles.
The Danger Zone: If you shrink Eliza below its minimum, the software may force the needle to drop in the exact same spot 10 times in a row instantly.
- Auditory Check: Listen to your machine. A rhythmic, soft purr is good. A harsh thump-thump-thump means your density is too high for the fabric.
- The Solution: Keep Eliza large. It is meant for monograms and main titles, not subtitles.
Safety Warning: When stitching high-density decorative fonts like Eliza on thick caps or canvas, use adequate eye protection. If a needle deflects off a dense previous stitch, it can shatter.
Glyphs: The "Secret Menu" for High-Value Customization
Sue clicks Insert Character to open the Glyphs panel. This usually contains swirls, accents, and alternative letter shapes.
Why this matters for profit: Adding a simple "swirl" glyph under a name turns a $10 personalization job into a $25 custom design. It increases perceived value without increasing digitizing time.
The "Knot" Risk: Decorative glyphs often have very sharp points (tapered satins).
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The Test: Before stitching, look at the tip of the swirl. If the stitches look like they are piling up on top of each other, use the "Pull Compensation" tool in Hatch to open them up slightly, or increase the size.
The Size Chart: Your Engineering Guardrails
Sue directs users to the Hatch website size chart. We will list them here, but we will add the Safety Buffers—the ranges where a beginner is guaranteed success.
Official vs. Safe Specs:
| Font Name | Official Min | Official Max | Beginner "Safe Zone" | Best For... |
|---|---|---|---|---|
| Memo Script | 10mm (0.4") | 50mm (2") | 15mm - 40mm | Cuffs, Taglines, Names |
| Handy Script | 13mm (0.5") | 75mm (3") | 20mm - 60mm | T-shirts, Casual wear |
| Eliza | 20mm (0.8") | 80mm (3.1") | 30mm - 70mm | Towel Monograms, Totes |
Interpreting the Data:
- Below Min: You risk "birdnesting" (thread gathering under the throat plate) because the fabric cannot support the needle penetrations.
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Above Max: You encounter "Jump Stitch" issues where the satin stitch becomes too long and loose, snagging on buttons or fingers.
Baseline Width: The Hidden stabilizer Variable
Sue discusses Narrow vs. Wide Baselines. This is code for Aspect Ratio.
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Narrow Baseline (Handy Script): Tall and thin. Efficient on space, but unstable on stretchy fabrics.
- Requirement: Requires a stable backing. If putting this on a stretchy t-shirt, you must use a Fusible Mesh or Cutaway stabilizer. Tearaway is not enough; the font will distort and look "italic" by accident.
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Wide Baseline (Eliza): Short and fat. Very stable, but eats up horizontal space quickly.
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Requirement: Ensure your hoop is wide enough. Don't shrink the width to fit the hoop; change the hoop.
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Requirement: Ensure your hoop is wide enough. Don't shrink the width to fit the hoop; change the hoop.
Production Protocol: Habits of the Pros
You have the font, the size, and the glyphs. Now, you must stitch.
The "Pre-Flight" Check:
- Needle Check: Is the needle sharp? A dull needle pushes fabric down before piercing it, ruining the crisp loops of script text. Change needles every 8-10 production hours.
- Bobbin Check: Is your visible bobbin thread about 1/3 of the width on the back? For script text, tight bobbin tension causes the top thread to "railroad" (look jagged).
- Hooping Check: Script lettering demands perfect horizontal alignment.
The Alignment Solution
If you find your text is constantly crooked or "wobbly," your issue is likely manual hooping.
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Upgrade Path: This is where a machine embroidery hooping station becomes essential equipment. It locks the outer hoop in place, allowing you to align the garment perfectly precisely every time, ensuring that "Memo Script" sits perfectly parallel to the hem.
Troubleshooting Matrix: Script Lettering Edition
When things go wrong, do not guess. Follow this diagnostic path (Least invasive to Most invasive).
| Symptom | Tactile/Visual Cue | Likely Cause | IMMEDIATE FIX |
|---|---|---|---|
| Jagged Edges | Edges of letters look like a saw blade. | Loops are too tight / Fabric is shifting. | 1. Increase font size by 10%.<br>2. Add a layer of water-soluble topping (Solvy). |
| Thread Breaks | Thread snaps with a "pop" sound. | Density is too high (Text too small). | 1. Switch to a larger needle (75/11).<br>2. Slow machine speed to 600 SPM. |
| Hoop Burn | Shiny ring marks on fabric. | Hoop clamped too tight. | Steam the fabric (do not iron).<br>Consider using a magnetic hoop. |
| Sinking Text | Text disappears into the pile (towels/fleece). | No topping used. | ALWAYS use water-soluble topping on textured fabrics. |
| Birdnesting | Machine jams; giant knot under the needle plate. | Upper threading issue OR Flagging. | 1. Re-thread COMPLETELY (presser foot UP).<br>2. Check if fabric is bouncing (flagging). |
Warning (Magnetic Equipment): If you upgrade to magnetic hoops, be aware they use powerful neodymium magnets. Keep them away from pacemakers and watch your fingers—the pinch force is significant.
Decision Tree: Choosing the Right Font for the Job
Don't choose based on "pretty." Choose based on "possible."
START: What is your available vertical height?
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Less than 15mm?
- Use Memo Script.
- Must: Use 60wt thread and 65/9 needle for best results.
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15mm to 30mm?
- Use Handy Script.
- Check: Zoom in on loops. Do they touch? If yes, resize up.
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30mm to 80mm?
- Use Eliza.
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Check: Is the garment heavy enough? Do not put Eliza on a thin t-shirt without heavy Cutaway stabilizer.
The Efficiency Frontier: When to Upgrade Your Tools
Mastering Wilcom Hatch is Step 1. But as you move from "making one gift" to "running a business," the bottlenecks shift from software to hardware.
Analyze your pain points:
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"My hands hurt from hooping 50 shirts."
- The Fix: Terms like magnetic embroidery hoop are your gateways to understanding efficient production. These tools snap onto the garment instantly, reducing wrist strain and virtually eliminating "hoop burn" on delicate corporate polos.
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"It takes too long to change thread colors for these fonts."
- The Fix: If you are doing 3-color logos all day, a single-needle machine is costing you money. High-volume shops utilize SEWTECH multi-needle solutions to keep all colors threaded simultaneously, trimming jump stitches automatically.
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"I'm scared I'll break my machine."
- The Truth: The best embroidery machine for beginners is simply the one that gives you consistent tension and reliable feeding. Whether it's a sturdy single-needle or an entry-level multi-needle, reliability beats features every time.
Operation Final Checklist:
- Font is within the "Beginner Safe Zone" size.
- Fresh needle installed (75/11 usually, 65/9 for tiny text).
- Correct Stabilizer selected (Cutaway for knits, Tearaway for wovens).
- Topping (Solvy) applied if fabric has texture.
- Speed reduced to 600-700 SPM for the first test run.
By respecting the engineering limits of these fonts and supporting them with the right physical tools, you transform "hope it works" into "know it works." Stitch with confidence.
FAQ
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Q: In Wilcom Hatch Lettering with Font Pack 1 (Memo Script/Handy Script/Eliza), why does script lettering turn jagged or painfully thin after resizing?
A: Keep the font inside its engineered size range; script fonts fail most often when they are scaled too small for their stitch architecture.- Increase the lettering height by about 10% and re-check the loops/columns in stick view.
- Switch to stick view (not only TrueView) to judge real stitch structure and density.
- Add water-soluble topping (Solvy) when stitching on textured or unstable surfaces to keep edges clean.
- Success check: Letter edges look smooth (not saw-toothed) and inner loop “white space” stays open after stitching.
- If it still fails: Choose a font designed for smaller text (Memo Script) rather than forcing Eliza/Handy Script below minimum.
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Q: In Wilcom Hatch Memo Script, what is the safest setup for stitching 10mm (0.4") small script on cuffs or collars without loops closing up?
A: Use Memo Script at or above 10mm and reduce bulk with finer thread and a smaller needle.- Set the lettering height to 10mm minimum (15–40mm is the safer beginner range when space allows).
- Switch to 60wt thread and a 65/9 needle when running at the absolute minimum size.
- Change to a high-contrast object color (red/blue) on-screen so you can judge loop openings clearly before stitching.
- Success check: The small loops remain visibly open and readable instead of turning into a blob.
- If it still fails: Increase to the next size step (often 12–15mm) before changing tension settings.
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Q: In Wilcom Hatch Handy Script, how can a user verify loop integrity (e, l, s loops) before stitching to avoid “spread” closing the loops?
A: Do an aggressive zoom-in loop test and do not stitch if the loop interior is under about 1mm on-screen.- Zoom in and inspect the “white space” inside the letter “e” and similar loops.
- Resize up if the loop interior looks tighter than ~1mm, because fabric spread often closes it in real stitching.
- Use stable backing on stretchy garments so the loops do not distort during stitching.
- Success check: After stitching, the loop openings are still visible and the script looks airy, not filled-in.
- If it still fails: Add topping and re-check hooping stability for fabric shifting/flagging.
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Q: On embroidery projects, what is the correct bobbin tension visual standard for script lettering, and what does “railroading” indicate?
A: Aim to see bobbin thread about 1/3 of the stitch width on the back; railroading usually means the balance is off for clean satin edges.- Inspect the backside of a test run and look for roughly one-third bobbin visibility.
- Re-thread completely with the presser foot UP before chasing tension changes, because threading errors mimic tension problems.
- Replace dull needles regularly (a dull needle can distort loops and make the lettering look jagged).
- Success check: The machine sounds steady and the satin columns look even, with no harsh “thump-thump-thump.”
- If it still fails: Increase font size (density relief) before making major tension adjustments.
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Q: On an embroidery machine, how do you fix birdnesting (giant knot under the needle plate) when stitching dense script fonts?
A: Re-thread completely and address fabric flagging first; birdnesting is commonly threading or fabric bounce, not “mystery tension.”- Re-thread the upper path from zero with the presser foot UP.
- Check for fabric flagging (fabric bouncing with needle penetrations) and stabilize/hoop to reduce movement.
- Reduce speed to about 600–700 SPM for the first test run to confirm stability before running full speed.
- Success check: The underside shows normal stitches (not a wad of loops) and the machine does not jam on the first few letters.
- If it still fails: Increase lettering size or switch to a font with a safer minimum for the available height.
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Q: When stitching Wilcom Hatch Eliza decorative script, what needle safety precautions should be taken on thick caps or canvas with high-density lettering?
A: Treat dense decorative capitals as a needle-break risk and use eye protection, especially on thick materials.- Keep Eliza within its intended larger size range (avoid shrinking below minimum where needle can hit the same spot repeatedly).
- Listen for harsh “thump-thump-thump” sounds that signal excessive density for the fabric.
- Run a slowed test (around 600–700 SPM) to confirm penetration and sound before committing to production speed.
- Success check: The machine runs with a rhythmic, softer sound and the satin turns stitch cleanly without pounding.
- If it still fails: Increase size and reassess stabilizer choice rather than forcing the design through.
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Q: How can embroidery shops reduce hoop burn and re-hooping damage when stitching delicate script lettering on performance polos using magnetic embroidery hoops?
A: Use magnetic hoops to hold fabric with force rather than friction and reduce clamp marks while keeping a flatter surface for small loops.- Switch from traditional plastic hoops if shiny ring marks appear after clamping and repeated re-hooping.
- Hoop once, then validate loop integrity by zoom-checking and doing a short test run at reduced speed before full production.
- Handle magnetic hoops carefully because neodymium magnets can pinch fingers and should be kept away from pacemakers.
- Success check: The garment shows minimal ring marks and the script stitches without distorted loops from fabric crushing.
- If it still fails: Add a hooping station for repeatable alignment and reduce rework that causes repeated hoop burn.
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Q: For a small embroidery business running Wilcom Hatch script lettering, when should the workflow upgrade from Level 1 settings to magnetic hoops or a SEWTECH multi-needle machine?
A: Upgrade based on the bottleneck: fix settings first, then reduce hooping labor with magnetic hoops, then add multi-needle capacity when color-change time becomes the limiter.- Level 1 (technique): Keep fonts in the safe zone, replace needles every 8–10 production hours, slow to 600–700 SPM on test runs, and match stabilizer to fabric (cutaway for knits).
- Level 2 (tooling): Choose magnetic hoops when hooping causes wrist strain, crooked text, or repeated hoop burn on polos.
- Level 3 (capacity): Move to a multi-needle system when constant thread color changes and trimming time are limiting daily output.
- Success check: Rework rate drops (fewer crooked names, fewer birdnests) and cycle time per garment becomes consistent.
- If it still fails: Add a hooping station to lock alignment before assuming the digitizing or machine is the root cause.
